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Cohen's starting point for his study is the cinema of the 1970s, when the so-called bourekas films reigned.
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The infiltration of gay characters into local films began as a slow trickle. Pride was the domain of the Zionist characters - warrior types, patriotic and straight. This is precisely the subject of Nir Cohen's recently published book "Soldiers, Rebels and Drifters: Gay Representation in Israeli Cinema." While this English-language book (published by Wayne State University Press ) largely deals with male homosexual characters and leaves the lesbians to other scholars, it offers several interesting observations concerning the history of homosexual representation in our local cinema, and the trends that have been prominent in it.ĭuring the first decades of Israeli cinema, gay characters had no place whatsoever on the screen. "Eyes Wide Open" (2009), a love story between two ultra-Orthodox men.
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Jonathan Sagall's "Lipstikka," Doron Eran's "Melting Away," Veronica Kedar's "Joe + Belle," Haim Tabakman's "Eyes Wide Open," Dan Wolman's "Tied Hands" and Yair Hochner's "Antarctica," as well as Avi Nesher's "The Secrets," Eytan Fox's "The Bubble," and Yuval Shafferman's "Things Behind the Sun" - all these films made in the past six years are joined by a respectable harvest of documentaries, shorts, student films and of course television series starring gay characters. The Middle Eastern origin of Murray Bartlett's appeal The trials and treasures of Tel Aviv's gay-by boom Those who follow Israeli cinema have probably realized in recent years that local filmmakers, including quite a few who are heterosexual, are increasingly choosing to include gay characters in their movies - not rarely in principal roles.